Responding to the systematic rape and murder of thousands of women in brutal acts of ‘ethnic cleansing’ during the Bosnian War, Jenny Holzer produced the powerful Lustmord during 1993 and 1994. The project is complex and thought-provoking, not least because its texts, images and objects call to observers’ own bodies, insisting that they participate in the work rather than stand outside it.

Holzer came out with her Lustmord series that quite literally means Sex Murder in German. Lustmord was created as a response of the Bosnian War, specifically the methodical rape and murder of women. The works of Lustmord were made between 1993 and 1994 to bring attention to these unthinkable acts.

This piece is dedicated to Jun 16, 2015 Our Forensics: Anatomy of Crime exhibition closes on 21 June 2015. One of the more haunting pieces you'll find on display is Jenny Holzer's An American Neo-Conceptualist artist, Jenny Holzer (born 1950) utilized the The following year she produced her next series, "Lustmord, " which opened at Sep 6, 2006 John Yau and Shelley Jackson talk with Jenny Holzer. JH: With the Lustmord project, the body and language were unusually close for me. Jenny Holzer Lustmord 1 (English version) 1994. Farbiges LED-Display in schwarzem Metallelement.

electronic LED sign with blue diodes. 96 by 5¼ by 3 in. 244 by 13.3 by 7.8 cm. lustmord i swim in her as she quiets. i sink on her. i sing her a song about us. i step on her hands.

Jenny Holzer’s Lustmord in Süddeutsche Zeitung, No. 46, November, 1993, photo: Printed Matter/printedmatter.org Analysis. Lustmord was a powerful and thought-provoking project not only because it featured texts, images, and objects that forced audiences and observers to look at their own bodies more closely but also because it featured brutal acts that actually happened in real life.

In a world made by f10 TEXT PERFORMATIVITY IN THE WORK OF JENNY HOLZER: THE CASE OF LUSTMORD pornography, testimony about sexual harassment is live oral pornography starring the victim. Because the account becomes a form of sex, the abuse is rendered consensual in the mind of the viewer’’. In 1976 Jenny Holzer moved to New York to participate in the Whitney Museum’s Independent Study Program. It was there that she began developing the laconic aphorisms that would become her Truisms series (1977-79): "A LITTLE KNOWLEDGE CAN GO A LONG WAY," "ABUSE OF POWER COMES AS NO SURPRISE," "TRUE FREEDOM IS FRIGHTFUL." Available for sale from Rhona Hoffman Gallery, Jenny Holzer, Lustmord 3 (1993-1994), Mini LED sign, 5 × 5 in Holzer came out with her Lustmord series that quite literally means Sex Murder in German.

Jenny Holzer | Kunst nach 1945. Jenny Holzer - Lustmord. Seit ihren 1977 entstandenen ersten »Truisms« hat Jenny Holzer an neun weiteren wesentlichen

The Lustmord series represents a turning point in Jenny Holzer’s work, because this was the first time that the artist used the human body as a tool of expression. The title is taken from a German word that means murder plus sexual pleasure. Hence the Lustmord was both a sensational image and one designed to provoke political polemic.Holzer"s explicit quotation of this iconography in relation to the Bosnian war drew upon these histories to revive a sense of horror and outrage at the treatment of women in moments of extreme political upheaval and crisis. In a world made by f10 TEXT PERFORMATIVITY IN THE WORK OF JENNY HOLZER: THE CASE OF LUSTMORD pornography, testimony about sexual harassment is live oral pornography starring the victim.

Holzer söker i sin konst förkasta alla traditionella uppfattningar om konstverket. Hon använder språket som medium och bland annat affischer , T-shirts och lysdioder som medel för att förmedla sitt budskap. Jenny Holzer Jenny Holzer is a well known feminist neo conceptualist artist who has contributed many impactful works throughout her life. Holzer was born on July 29, 1950 in Gallipolis, Ohio where she found her love for art originally desiring to become an abstract painter. Jenny Holzer developed photo material for the catalogue in which to incorporate all of her Lustmord texts, which she transposed into moving (in both senses of the word) sequences of words and images. These sequences can be installed from a CD-ROM as screen savers on home computer systems. - Jenny Holzer Unbuilt Roads Title of the project: Untitled, modeled after the Leipzig Völkerschlachtdenkmal, a lazer projection of Lustmord texts onto a 1913 Battle of nations Monument.
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Jenny Holzer: The Venice Installation, from the Collection of Mort and Marlene Meyerson, Dallas Museum of Art, USA (solo) 1993. Da Wo Frauen Sterben, Bin Ich Hellwach, Haus der Kunst, Munich, Germany (solo) 1993. Lustmord.

JENNY HOLZER.
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JENNY HOLZER. b. 1950. LUSTMORD, ERLAUF, ARNO, BLUE 1993-1996. signed on a label affixed to the reverse . electronic LED sign with blue diodes. 96 by 5¼ by 3 in. 244 by 13.3 by 7.8 cm.

In 1976 Jenny Holzer moved to New York to participate in the Whitney Museum’s Independent Study Program. It was there that she began developing the laconic aphorisms that would become her Truisms series (1977-79): "A LITTLE KNOWLEDGE CAN GO A LONG WAY," "ABUSE OF POWER COMES AS NO SURPRISE," "TRUE FREEDOM IS FRIGHTFUL." Available for sale from Rhona Hoffman Gallery, Jenny Holzer, Lustmord 3 (1993-1994), Mini LED sign, 5 × 5 in Holzer came out with her Lustmord series that quite literally means Sex Murder in German.

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Jenny Holzer (born July 29, 1950) is an American neo-conceptual artist, based in Hoosick, New York. The main focus of her work is the delivery of words and ideas in public spaces. Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects.

JENNY HOLZER. b. 1950.